Working from improvisations for a string trio — violin, viola, and cello — and voices, in interplay with analog tape processing, they far exceed the expected limitations of chamber music to shape a sound of dense, unsettled presence. In the interplay of vocal harmonies, repetition, incantatory melodies, and sinuous passages, something emerges that registers as memory without being so: a music entirely their own, without time or place, a form of tradition without origin that only rarely allows itself to be sensed in this way.