performed by members of both collectives at the Total Refreshment Centre, London, UK, November 2017
and mouth and
an OpenICE commission for Katinka Kleijn
Performed by Kleijn at Constellation Chicago, October 2017
and mouth and
Photos and stills from video
Featuring (in order of appearance):
Molly and Edie Roth Scranton
a brief parade, etc.
A brief parade, etc. was written in response to Marcel Duchamp’s 12 Rotoreliefs, part of the Art Institute of Chicago’s recent exhibition, Go, and performed in the museum neighboring the exhibit. It is an excavation of the mystical possibilities of the absurd, a mythology of imagination-space. The piece presents the audience with archetypes that reimagine and repurpose the layers of meaning we ascribe to objects. It is a parade without purpose, a fairytale without moral; it allows us to enter an alternate sphere where meanings are shifted, and we can perceive our own reality as through a fun house mirror.
VICTORIA BRADFORD, JESSICA CORNISH, LIA KOHL
Skirts began as a movement research and improvisation project by Victoria Eleanor Bradford and Jessica Cornish and was born with the receipt of a grant from the city of Chicago’s Department of Cultural Affairs and Special Events. These funds allowed the project to progress from a mere idea into a full-fledged research effort, choreographic exchange, and site- based improvisation project.
Bradford spent three months researching skirts and devising movement scores to correspond with each of four selected styles: Hoop (or ballroom), Work (or pencil), Sport (or tennis), and House (or apron). Cornish received these scores and the skirts by mail as prompts with which to go out and make movement. Along with videographers Ania Bilinska and Robin Lee, Cornish took to various sites in Chicago and acted on the scores in each skirt.
Bradford and Cornish continued the project over two months in residence in Louisiana, workshopping duet movements pulled from the video archive, collaborating with cellist Lia Kohl on a sound score, culminating in a work-in-progress show- ing of the newly devised and combined multimedia and live work.
During 2015 the three produced Ghost Skirts, a cocktail mixer featuring live performance and the screening of a new dance film. This work centered on humor, feminine constraint, anachronism, beauty, and public disruption or spectacle. The film and performances were taken from public improvisations that have occurred throughout the city of Chicago and took place as part of Chicago Artists Month at High Concept Labs on November 12, 2015.
SKIRTS, a durational film and dance installation, is a live performance of Cornish and Kohl responding to the dances made in 2013 along with GHOST SKIRT, a dance for camera filmed in 2015.
To Separate Two Things is a durational movement work for two masked performers, which is both an exploration of what it means to be a self and a meditation on the act of being present. The work presents a multiplicity of separations: between mind and body, sight and touch, paper and wood, and between body and body.
The work exists in multiple forms: as a 10 minute performance, as a 4 hour durational work, and as a dance for camera in multiple locations.
To Separate Two things has been presented at High Concept Labs, DANK Haus, Experimental Sound Studio, Comfort Station and Mana Contemporary Chicago.
Masks by Lia Kohl, movement and images by Lia Kohl and Jessica Cornish.
a self help etude
Created by Lia Kohl and Marcela Lucatelli
Performed by Lia Kohl (cello/ hands) and Marcela Lucatelli (lights)
self-help etude nr.1 or variations on skylark motel (2017)